那是疫情開始之初，"無用之地" 的身體錄像展演到了澳門，紀錄消逝的時間與地景 , 那是2020年的一月時，演後回台，全世界進入封國封城，這是第二版無用之地的創作首次海外展演的時局，用無用面對無用。澳門，一個靠海又不斷填海法發展的城市 , 蘊藏了因殖民歷史所留下豐厚的文化足跡 , 有些部分很像台灣 , 而台灣對於澳門也許不太認識那裏的歷史文化 . 於是我決定用身體去走訪感受 , 用影像記錄即將逝去的空間 , 試著留存曾經存在的遺跡與證據 . 而這一次面對的是海洋與船屋 , 與消逝的百年木造船產業空間一同來對話。--- 周書毅
2020.1.16-18 “ Break & Break!
無用之地_身體錄像展 / 澳門 信榮船廠
Chou Shu-Yi Live Exhibition_Macau_Son Veng Shipyard
周書毅x李國漢x王榆鈞x莊知恆
http://www.macaucityfringe.gov.mo/2020/cn/event/8093
在身和影之間看地景變遷 .
Watch between body and shadow the transformation of landscape .
“Break” means to take a rest, to crack an opening or to cause damage. Its varied meanings imply the subtle connection between dilapidation, rest and rebirth.
From 2014 to 2020, Chou Shu-Yi moved between new and old cities across Asia, making more than 100 video clips depicting the dialogues between his body and useful or useless lands, which he later complied into a work. He responded to different urban transformations through his body and shadow, and conveyed his self-reflection on life experiences. In 2020, Chou will come to Macao for shooting, screening and performing, leading the audience into the space of his video clips and re-interpreting the dialogues between himself and those spaces through dance.
#澳門城市藝穗節 Macao City Fringe Festival
編舞/影像/演出：周書毅
影像設計：李國漢
聲音設計：王榆鈞
燈光設計：莊知恆
燈光設計助理 : 曾彥閔
展演紀錄導演/剪輯：黎宇文
攝影 : 黎宇文 . 呂威聯 . 陳俊安
製作統籌：PROJECT ZERO Performing Arts Management
技術統籌 : 楊里喬
執行製作 : 劉孝聆
